This book is an introduction to the concepts of computer programming within the context of the visual arts. It has been more than twenty years since desktop publishing reinvented design, and it's clear that there is a growing need for designers and artists to learn programming skills to fill the widening gap between their ideas and the capability of their purchased software. A preliminary user study with designers, programmers, and casual users demonstrated its capability in authoring various kinetic typography videos. We therefore propose an integrated design environment featuring (1) GUIs that designers can use to create and edit animations synchronized with audio signals, (2) integrated tools that programmers can use to implement animation algorithms, and (3) a framework for bridging the interfaces for designers and programmers. They allow predefined motions to be applied to objects and parameters to be tweaked, but it is usually impossible to extend the predefined set of motion algorithms within these systems. While existing systems have allowed the designer and casual user to create animations, most of them do not take into account synchronization with audio signals. This paper presents TextAlive, a graphical tool that allows interactive editing of kinetic typography videos in which lyrics or transcripts are animated in synchrony with the corresponding music or speech. In kinetic typography, each author determines his own rules, method of production, and there are no same solutions. There are no strict rules and patterns when making kinetic typography. Written program codes that manipulate words, letters, or parts of characters to create interesting visual effects for the viewer that aim to hold the viewer's attention and convey the desired message or emotion. In the creating of motion typography in this paper, the programming language Processing was used. The letters made are of various written classifications and cuts, which with their variety contribute to the attractiveness of the animation. For the purposes of this paper, individual letters were created in a font-making program. The user is no longer a passive observer but actively participates in the performance of the application whose final appearance is not predefined but arises from the actions of each individual user. Processing enables the use of visual elements in animation, including typographic ones, by introducing interaction to the user. Processing uses a variety of typography rendering approaches such as raster and vector solutions and allows typography to be programmed and displayed on the Web independently of the user's Web browser and font database. It also allows advanced users to use them. The most important difference between Processing and Java is that Processing offers a simple programming interface that does not require advanced levels of programming such as classes, objects, or animations. The Processing programming language is intended for generating and modifying graphics and is based on the Java programming language.
In a wide range of available programming languages due to the simple interface that does not require advanced programming concepts and gives exceptional results in the field of kinetic typography, Processing was chosen.
#VLW FONT VIEWER SOFTWARE#
However, each software has its limitations and for this reason the kinetic typography presented in this paper is programmed using codes. Static characters can expand, narrow, move slowly or rapidly, grow and change in a variety of ways to very complex ones in which the author builds an entire story or promotional video by carefully combining software capabilities. The effects vary from the simplest such as "fade-in" and "fade-out" (entering and exiting text in and out of the frame). It can be created in various ways, most often using software that applies a multitude of effects to the text or letter character, creating dynamic solutions. Furthermore, one should think about the letter cut, the size and color of the characters, and the background color on which the animation takes place. The most important element for figuration of kinetic typography is the choice of font. Kinetic typography - text in motion is an animation method of characters that has a video form instead of some "static" form such as picture, poster or book.
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